基于Touch Designer的非物质文化遗产交互展示项目开发——以平遥推光漆为例
摘 要：平遥推光漆技艺于2006年列入第一批国家级非物质文化遗产名录。现今非物质文化遗产（以下简称非遗）逐渐与时代脱节，受关注程度低，对其进行推广展示势在必行。新媒体交互艺术是一种观众参与影响作品顺序、情节、状态的艺术表现形式，因其本身具有极强的交互特性，深受大众，尤其青少年用户群体的喜爱。利用交互展示方式推广传播、挖掘潜在青少年用户对非遗的传承发展有显著的现实意义，同时也是发扬传统文化的一种新尝试。本文选择推光漆为切入点，基于Touch Designer对非遗交互展示项目开发进行探讨，期望能为非遗的传承和创新发展提供理论支持和实验先导。
关键词：Touch Designer；非物质文化遗产；交互展示；开发；平遥推光漆
中图分类号：TP391 文献标识码：A
文章编码：1672-7053(2019)09-0145-02
Abstract：In 2006, pingyao tuoguang lacquer technology was listed in the first batch of national intangible cultural heritage list. Nowadays intangible cultural heritage (hereinafter referred to as intangible cultural heritage) is gradually out of touch with The Times and receives little attention, so it is imperative to promote and display it. New media interactive art is a form of artistic expression in which audience participation influences the sequence, plot and status of works. Due to its strong interactive characteristics, new media interactive art is popular among the public, especially young users. It is of great practical significance for the inheritance and development of intangible cultural heritage to use interactive display to promote communication and explore potential young users, and it is also a new attempt to carry forward traditional culture. In this paper, the Touch Designer is selected as the starting point to discuss the development of intangible cultural heritage interactive exhibition project, hoping to provide theoretical support and experimental guidance for the inheritance and innovative development of intangible cultural heritage.
Key Words：Touch Designer; Intangible cultural heritage; Interactive display; Explotation; Pingyao Tuiguang Paint
