室内设计中洛可可与极简风格装饰元素对比研究
摘 要：室内空间的外貌，自设计师的草图开始，至最终的使用者自行塑造结果，可说是一种有机演进的过程，分别呈现不同的特征。因为只要是人，多有偏好及调适生活及工作环境的天性，会主导周遭环境的外貌。于是，装饰成为不同阶段空间使用者的心理及生理反映。本研究除了检视设计发展沿革，也从装饰文化、手法等方向探讨这些阶段的装饰特征。籍此观察，可发现每个时期的设计多有独特的初始风格与落幕的样貌。大致上，各时期乃至今日，多少在过度装饰之后，转向排除装饰之间做徘徊。加上，因应文化、宗教、价值观、审美的考量的介入，设计师与使用者的装饰结果或多或少和平共存。
关键词：室内设计；装饰；风格；审美
中图分类号：TB491 文献标识码：A
文章编码：1672-7053(2019)04-0077-03
Abstract：The appearance of the interior space, from the designer's sketch to the final user's own shaping results, can be said to be an organic evolution process, showing different characteristics. Because as long as it is a person, there are many preferences and adjustments to the nature of life and work environment, which will dominate the appearance of the surrounding environment. Thus, decoration becomes a psychological and physiological reflection of users in different stages of space. In addition to examining the evolution of design development, this study also explores the decorative features of these stages from the perspective of decorative culture and techniques. From this observation, it can be found that the design of each period has a unique initial style and the appearance of the ending. In general, each period is today, and after much over-decoration, it turns to the exclusion of decoration. In addition, in response to the consideration of culture, religion, values, and aesthetic considerations, the decorative results of designers and users coexist more or less peacefully.
Key Words：interior design; decoration; style; aesthetic
