解构与再生：基于宋明圈椅典型特征的现代坐具设计
摘 要：宋明圈椅作为中国传统家具的经典形制，承载着“天圆地方”的哲学意蕴与“圆融简约”的美学特质。通过对宋明圈椅的形态特征、结构逻辑与文化内涵进行系统解构，可提炼出线性轮廓、榫卯智慧与空间虚实三大核心要素。在此基础上，运用几何抽象、材料转译与结构重组等设计策略，将传统木作语言转化为具有雕塑感的现代造型，使扶手与背板线条呈现出连续流动的有机形态。这种解构与再生的设计方法，既保留了圈椅的精神内核，又赋予其当代的审美特征，以期为中式家具的当代演绎提供理论参考与实践范式。
关键词：工业设计；宋明圈椅；解构主义；形态再生；现代坐具设计；传统符号转化
中图分类号：TS664.01 文献标识码：A 文章编号：1672-7053(2026)08-0122-04
Abstract：The Song-Ming curved chairs, as a classic form of traditional Chinese furniture, embody the philosophical connotation of "heaven is round and earth is square" and the aesthetic traits of "harmony and simplicity". Through a systematic deconstruction of the form features, structural logic and cultural connotations of Song-Ming curved chairs, three core elements can be extracted: linear contours, mortise-and-tenon wisdom and the interplay of space and emptiness. Based on this, design strategies such as geometric abstraction, material translation and structural reorganization are employed to transform the traditional woodworking language into modern forms with a sculptural quality, making the lines of the armrests and backrests present a continuous and flowing organic shape. This deconstruction and regeneration design method not only retains the spiritual core of the curved chairs but also endows them with contemporary aesthetic characteristics, aiming to provide theoretical references and practical models for the contemporary interpretation of Chinese furniture.
Key Words：Industrial Design; Song-Ming Round Back Armchairs; Deconstructionism; Morphological Regeneration; Modern Seating Design; Traditional Symbol Transformation
