多模态交互下的动态展演空间叙事设计研究
摘 要：随着体验经济的崛起与数字技术的迭代，当代展示空间正处于从以物为中心的静态陈列向以人为中心的动态体验转型的关键阶段。传统展示单一的视觉叙事逻辑已难以满足受众对深度沉浸与情感共鸣的需求。研究聚焦多模态交互技术，提出感官维度的物理重塑、叙事维度的心理融入与交互维度的具身反馈这一叙事转译机制，以及多模态交互在动态展演空间中的叙事设计策略。最终，结合“曲水流觞”兰亭书法展示空间设计实践，探讨其如何推动空间从物理围合走向动态展演。研究表明，多模态交互赋能下的动态展演空间不再是静止的信息容器，而是演变为具备感知力与反馈机制的“生命体”。这种从静态陈列到动态展演的叙事范式重构，不仅拓展了空间叙事的维度，更重塑了人与空间的交互伦理，以期为未来展示空间的发展提供理论参照与实践路径。
关键词：多模态交互；动态；展演空间；叙事设计
中图分类号：J525.2 文献标识码：A 文章编号：1672-7053(2026)08-0054-04
Abstract：With the rise of the experience economy and the iterative development of digital technology, contemporary exhibition spaces are in a critical stage of transitioning from static displays centered on objects to dynamic experiences centered on people. The traditional single visual narrative logic of exhibition has failed to meet the audience's demands for deep immersion and emotional resonance. This study focuses on multimodal interaction technology and proposes a narrative translation mechanism involving physical reconfiguration in the sensory dimension, psychological integration in the narrative dimension, and embodied feedback in the interaction dimension. It elaborates on the narrative design strategies of multimodal interaction in dynamic performance spaces. Finally, combined with the design practice of the flowing water and Liangping calligraphy exhibition space, this paper explores how it can promote the transformation of the space from physical enclosure to dynamic performance. The research shows that the dynamic performance space empowered by multimodal interaction is no longer a static information container, but has evolved into a "living being" with perception and feedback mechanisms. This narrative paradigm reconfiguration from static displays to dynamic performances not only expands the dimension of space narrative but also reshapes the interaction ethics between people and space, providing theoretical references and practical paths for the development of future exhibition spaces.
Key Words：Multimodal Interaction; Dynamic; Exhibition Space; Narrative Design
